For
a variety of reasons 'The Music Man' will always have a special place
in my memory, and reading "But He Doesn't Know the Territory"
by Meredith Willson himself added to those memories. (The title is in
reference to the fact that he'd never written for Broadway). It took
five years, give or take, and about forty rewrites to bring the show
to the stage. The early part, about a childhood in a small town in
Iowa brings to mind Bradbury and Dandelion Wine. Willson had
always enjoyed the sound and rhythm of words and thought that you
didn't really need a song, or a rhyme .... think of the opening scene
on the train here .... it worked! I loved the 'aha' moments that
made the show better, and had a good laugh at some of the other
choices for the role of Professor Harold Hill. Just a great read!
This
book caused an internal debate. Should I include it or not? While
not a book in the traditional sense, it can be read ... in two ways,
actually. It's The Best of Broadway: 80 Great Songs of the
American Musical Theatre. It has the complete words and music
for these songs, so whether you sing, or play piano or guitar, you're
ready to go! It was published in 1973, so does not include any of
the newer Broadway shows.
When
Emilio Audissino realized there was no book (in the English language
at least) discussing the music of John Williams, he decided to write
one. John Williams's Film Music: Jaws, Star
Wars, Raiders of the Lost Ark, and
the Return of the Classical Hollywood Music Style is part
biography, part film music history, and overall just an interesting
breakdown of what makes his music so good. There are some in-depth
discussions of what makes music heroic, romantic, or villainous using
examples of Williams music. Usually the music must fit the movie,
but when you have John Williams writing the music, well!, one
director actually made his movie fit the music!
Unusually
hot weather is here, I hope you all stay cool. :-)
Reading
Hermit With Dog